Back to Language in Use Table of Contents      
Back to Unit Index
Back to Theme D: Pattern in Language


Language in Use 101-102

This unit is concerned with the judgements that we make about other people's use of language and how these judgements relate to the formal organisation of the language. It explores the kind of correction teachers make on written work and examines the relationship between the aesthetic and grammatical notions which underlie them.
---------------------------------------------------------------------------------------------------------------------------

[1] For this session a collection of corrections made on the written work of the class is required. If at all possible, it should include work from different years. It may, therefore, be necessary to give the class time to collect examples. Spelling and punctuation mistakes are a special case and should be left out. Working in small groups, the class sort out the corrections and discuss what leads them to group examples together.
The following list of types of correction may be useful:
(a) verb forms like 'he'd' or 'can't'
(b) use of 'get' as in 'get moving'
(c) objections to colloquialisms and slang
(d) words stigmatised as jargon
(f) 'overworked words', especially words of praise and blame
(g) lack of concord of person, number and tense: verbless sentences
(h) repetitious use of words and phrases
(j) repeated use of 'and' and 'but'

[2] The aim of this session is to see how far the rough sorting carried out in [1] can be related to different aspects of the formal organisation of the language. The discussion should focus upon the relationship between what has been classed as error and what is properly a failure to apply the organising rules of the language.
The following categories may be useful:
(a) failure to apply the rules of the grammar
(b) inadequate use of the variations the grammar allows
(c) grammatically correct, but stylistically inappropriate, usage
(d) incorrect use of words and phrases
(e) inappropriate use of words and phrases
(f) usage which does not meet the taste of the reader.

[3] This session takes up the basic distinction arrived at in [2] and goes on to consider what kinds of personal judgement are involved in assessing the validity of what others have written.
Points which should emerge include:
(a) the degree to which judgement is purely personal in that what is being asked for reflects an idiosyncratic view of     common usage
(b) the degree to which a person appears to be influenced by an idea of 'Good English': that all writing should be
    judged by the same criterion
(c) the effect of aesthetic taste in the assessment of writing in a specialist field
(d) the degree to which inadequate thought is confused with inadequate expression.

Vocabulary may be approached through A9, which includes a consideration of jargon, or through F8 'How we use Slang'.


top